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Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Sophonisba - Results found: 18

Vertue perforce is vice –
By Massinissa, in Sophonisba (1.2.204), John Marston
in Folger MS V.a.87, f. 7r
 
No doe not sweare I was not borne so low to do=ubt or feare -
By Massinissa, in Sophonisba (1.2.210-211), John Marston
in Folger MS V.a.87, f. 7r
 
profit and honesty are both not
one in state,
By Hanno Magnus, in Sophonisba (2.1.14), John Marston
in Folger MS V.a.87, f. 7r
 
Passion is reason when it speakes from might
By Syphax, in Sophonisba (1.1.176), John Marston
in Folger MS V.a.87, f. 12r
 
Jove made us not to feare speake out
The highest misery of man is doubt
By Massinissa, in Sophonisba (1.2.67-69), John Marston
in Folger MS V.a.87, f. 12r
 
Oh we were gods if that we knew events
By Sophonisba, in Sophonisba (1.2.172), John Marston
in Folger MS V.a.87, f. 12r
 
Wondrous creature even fit for gods not men =
nature made all the rest of thy faire sexe as
weake essayes to make thee a patterne what
can be in woman,
By Sophonisba, in Sophonisba (1.2.228-231), John Marston
in Folger MS V.a.87, f. 12r
 
must we intreat? sue to such squeamish eares
know Syphax has no knees his eyes no teares
inraged love is sencles of remorse,
thou must thou shalt kings glory is their force
By Syphax, in Sophonisba (3.1.1-4), John Marston
in Folger MS V.a.87, f. 12r
 
our courtship is our force
By Syphax, in Sophonisba (3.1.12), John Marston
in Folger MS V.a.87, f. 12r
 
All appetite is deafe, I will, I must
Achilles armour could not beare out lust
By Syphax, in Sophonisba (3.1.26-27), John Marston
in Folger MS V.a.87, f. 12r
 
We thinke that lover little man who is so full of
woman
By Sophonisba, in Sophonisba (3.1.33-34), John Marston
in Folger MS V.a.87, f. 12r
 
kisses are the flourish before loves fight
By Syphax, in Sophonisba (3.1.46), John Marston
in Folger MS V.a.87, f. 12r
 
My greefe would make a saint blaspheme
By Massinissa, in Sophonisba (3.2.65-66), John Marston
in Folger MS V.a.87, f. 12v
 
Thou shalt no more delude my easy credence
By Syphax, in Sophonisba (4.1.48-49), John Marston
in Folger MS V.a.87, f. 12v
 
creature of most astonishing vertue: if
with faire usage love and passionate cour=tings we may obtaine the heaven of thy bed
we cease no suit
By Syphax, in Sophonisba (4.1.74-77), John Marston
in Folger MS V.a.87, f. 12v
 
The royalst exellence that ever was called woman
By Syphax, in Sophonisba (4.1.81-82), John Marston
in Folger MS V.a.87, f. 12v
 
The torture that most wracks an enemy is
his foes royall acts:
By Syphax, in Sophonisba (5.3.155-156), John Marston
in Folger MS V.a.87, f. 12v
 
- - - oh thou fore whom I drinke
soe deepe of greefe, that he must only thinke
not dare to speak that would express my woe
small rivers murmur, deepe gulfes silent flow
By Massinissa, in Sophonisba (5.3.169-172), John Marston
in Folger MS V.a.87, f. 12v