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Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Sophonisba - Results found: 18

Virtue perforce is vice –
By Massinissa, in Sophonisba (1.2.204), John Marston
in Folger MS V.a.87, f. 7r
 
No do not swear I was not born so low to doubt or fear -
By Massinissa, in Sophonisba (1.2.210-211), John Marston
in Folger MS V.a.87, f. 7r
 
profit and honesty are both not
one in state,
By Hanno Magnus, in Sophonisba (2.1.14), John Marston
in Folger MS V.a.87, f. 7r
 
Passion is reason when it speaks from might
By Syphax, in Sophonisba (1.1.176), John Marston
in Folger MS V.a.87, f. 12r
 
Jove made us not to fear Resolve,speak out
The highest misery of man is doubt
By Massinissa, in Sophonisba (1.2.67-69), John Marston
in Folger MS V.a.87, f. 12r
 
Oh we were gods if that we knew events
By Sophonisba, in Sophonisba (1.2.172), John Marston
in Folger MS V.a.87, f. 12r
 
Wondrous creature even fit for gods not men =
nature made all the rest of thy fair sex as
weak essays to make thee a pattern what
can be in woman,
By Sophonisba, in Sophonisba (1.2.228-231), John Marston
in Folger MS V.a.87, f. 12r
 
must we entreat? sue to such squeamish ears
know Syphax has no knees his eyes no tears
enraged love is senseless of remorse,
thou must thou shalt kings glory is their force
By Syphax, in Sophonisba (3.1.1-4), John Marston
in Folger MS V.a.87, f. 12r
 
our courtship is our force
By Syphax, in Sophonisba (3.1.12), John Marston
in Folger MS V.a.87, f. 12r
 
All appetite is deaf, I will, I must
Achilles armor could not bear our lust
By Syphax, in Sophonisba (3.1.26-27), John Marston
in Folger MS V.a.87, f. 12r
 
We think our lover is but little man who is so full of
woman
By Sophonisba, in Sophonisba (3.1.33-34), John Marston
in Folger MS V.a.87, f. 12r
 
the flourish fore loves fight
By Syphax, in Sophonisba (3.1.46), John Marston
in Folger MS V.a.87, f. 12r
 
My grief would make a saint blaspheme
By Massinissa, in Sophonisba (3.2.65-66), John Marston
in Folger MS V.a.87, f. 12v
 
No more shalt thou delude my easy credence
By Syphax, in Sophonisba (4.1.48-49), John Marston
in Folger MS V.a.87, f. 12v
 
creature of most astonishing virtue: if
with fair usage love and passionate courtings we may obtain the heaven of thy bed
we cease no suit
By Syphax, in Sophonisba (4.1.74-77), John Marston
in Folger MS V.a.87, f. 12v
 
The royallest exellence that ever was called woman
By Syphax, in Sophonisba (4.1.81-82), John Marston
in Folger MS V.a.87, f. 12v
 
The torture that most wracks an enemy is
his foes royal acts:
By Syphax, in Sophonisba (5.3.155-156), John Marston
in Folger MS V.a.87, f. 12v
 
- - - oh thou fore whom I drink
so deep of grief, that he must only think
not dare to speak that would express my woe
small rivers murmur, deep gulfs silent flow
By Massinissa, in Sophonisba (5.3.169-172), John Marston
in Folger MS V.a.87, f. 12v