Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Royal Master - Results found: 9

You are great in all that's good.
By Duke, in The Royal Master (1.1), James Shirley
in British Library Additional MS 22608, f. 113v
 
A.
B.
I expected not these guests to-day; they'll take us unprepared.
By Simphorosa, in The Royal Master (1.2), James Shirley
in British Library Additional MS 22608, f. 113v
 
The court. Confine such beauty to to a country house /
live among hinds and thick- skinned fellows that make faces and
will hope a furlong back / to find the t'other leg they threw away /
to show their reverence with things that squat / when they
should make a curtsy.
By Octavio, in The Royal Master (1.2), James Shirley
in British Library Additional MS 22608, f. 113v
 
We can tell the world / how envious diamonds cause they could not /
reach to the luster of your eyes dissolved / to angry tears the roses
droop and gathering / their leaves together seem to chide their
blushes / that they must yield your cheek the victory / the lillies
when they are censured for comparing / with your more clear
and native purity / want white to do their penance in.
By Octavio, in The Royal Master (1.2), James Shirley
in British Library Additional MS 22608, f. 113v
 
A.
B.
A.
in this you most / appear a stranger she is the glory / of
Nables for her person and her virtues / that dwells in this
obscure place like the shrine / of some great Saint to which e> devotion / from several parts brings daily men like pilgrims
By Montalto, in The Royal Master (1.2), James Shirley
in British Library Additional MS 22608, f. 113v
 
ie, almost drunke off.
the bottle grows light headed
By Bombo, in The Royal Master (2.1), James Shirley
in British Library Additional MS 22608, f. 113v
 
Why that blush / the words are not immodest there did want / no
blood upon your cheek to make it lovely / or does it flow in silence
to express / that which e> your virgin language would not be / so soon
held guilty of, consent.
By King, in The Royal Master (2.1), James Shirley
in British Library Additional MS 22608, f. 114r
 
There's nothing good or great you have not / freely possessed
me with; your favours would, / so mighty have they fallen upon me,
rather / express a storm; and I had sunk beneath / the welcome violence; had not your love / from when they flowed enabled me to strength / and manly bearing.
By Montalto, in The Royal Master (2.1), James Shirley
in British Library Additional MS 22608, f. 114r
 
Princes do honor when they come upon their subjects invitiation but they love where they
invite themselves.
By Guido, in The Royal Master (1.2), James Shirley
in British Library Additional MS 22608, f. 114r