Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Merchant of Venice - Results found: 84

y or Argosies wth portly sail like seignis, or rich
Burgers on ye flood, or like ye stately pageants of ye Sea
Do over looke ye petty traffiquers, Wch curtsie to them, & do
revence, while they fly by ȳ wth yr woven Wings
By Salarino, in The Merchant of Venice (TLN12-17), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 84
 
--from her Eys I did receive fair speechless messages
By Bassanio, in The Merchant of Venice (TLN172-173), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 84
 
Why shd a man, who’s blood is warm in, sit like his
Grandsire, cut in Alablaster? Sleeps, while he wakes? &
creep into ye Jaundices, by being peevish?
By Gratiano, in The Merchant of Venice (TLN92-95), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
This X. speaks an inf. deal of Noth. His Discourses are
2 grains of Wheat, hid in 2 bushels of Chaff: you shall
seek all day, ere you find ȳ, & when you have ȳ, they-
are not worth ye search.
By Bassanio, in The Merchant of Venice (TLN123-127), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
He doth noth but frown.
By Portia, in The Merchant of Venice (TLN239), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
hears merry tales & smiles
not. I fear hee’ll prove ye weep pher wn he grows old,
being so full of unmannly sadn. in his Youth. I’d rather
be married to a Deathshead wth a Bone in his mouth.
By Portia, in The Merchant of Venice (TLN240-244), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
A FrenchMan)
He’s evy Man in no Man. If but a bird sings,
he falls a capr&gtilde;capering, will fence with his own shadow.
Shd I take him, I shd marry 20 Husbds.
By Portia, in The Merchant of Venice (TLN251-254), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
The German.
I like him in ye (sober) very vile =ly; most vildly in ye afternoon (drunk.)
By Portia, in The Merchant of Venice (TLN276-277), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
any th rather yn be married to a Spunge.
By Portia, in The Merchant of Venice (TLN288-289), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
I’ll run as farr, as G. ---
By Launcelot Gobbo, in The Merchant of Venice (TLN671), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
Pale Despair, & Shuddring Fear, & green- ey’d Jealousye
By Portia, in The Merchant of Venice (TLN1455-1456), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
Before a Friend, of ye Description shall lose a hair for me, I’ll
By Portia, in The Merchant of Venice (TLN1659-1660), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
--for a tricksie word he defies the Matter
By Lorenzo, in The Merchant of Venice (TLN1877-1878), William Shakespeare
in Bodleian Library MS Sancroft 29, p. 85
 
Wee cursy to you:
By Salerio, in The Merchant of Venice (TLN14), William Shakespeare
in Folger MS V.a.87, f. 5v
 
 
Hees of such a vinegar aspect he will not shew
his teeth in way of smile
By Solanio, in The Merchant of Venice (TLN58-59), William Shakespeare
in Folger MS V.a.87, f. 5v
 
I would have stayed till I had made you merry
if nobler friends had not prevented mee:
By Salerio, in The Merchant of Venice (TLN64-65), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Hee sits like his Grandsire cutt in Alabaster
By Gratiano, in The Merchant of Venice (TLN90), William Shakespeare
in Folger MS V.a.87, f. 5v
 
He speakes an infinite deale of nothing his rea
sons are like to graines of wheate hid in two bushels of chaffe.
By Bassanio, in The Merchant of Venice (TLN120-122), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Thou spunge.
By Portia, in The Merchant of Venice (TLN278), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Ile lend you a box of the eare and you shall
pay when you are able:
By Portia, in The Merchant of Venice (TLN261-263), William Shakespeare
in Folger MS V.a.87, f. 5v
 
When hee is the best hee is a little worse then a
man: and when hee is the worst a little better
then a beast.
By Portia, in The Merchant of Venice (TLN268-270), William Shakespeare
in Folger MS V.a.87, f. 5v
 
More haire on his chin then dobbin my horse on's
tayle.
By Launcelot Gobbo, in The Merchant of Venice (TLN627-628), William Shakespeare
in Folger MS V.a.87, f. 5v
 
He has an infection to serve you
By Old Gobbo, in The Merchant of Venice (TLN654), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Ile frutify you more fully,
By Old Gobbo, in The Merchant of Venice (TLN660-661), William Shakespeare
in Folger MS V.a.87, f. 5v
 
thers the defect of
the matter.
By Old Gobbo, in The Merchant of Venice (TLN669), William Shakespeare
in Folger MS V.a.87, f. 5v
 
In danger of life with the edge of a featherbed
By Launcelot Gobbo, in The Merchant of Venice (TLN688), William Shakespeare
in Folger MS V.a.87, f. 5v
 
the expect your reproach:
By Launcelot Gobbo, in The Merchant of Venice (TLN818), William Shakespeare
in Folger MS V.a.87, f. 5v
 
What demigod hath come so neere creation.
By Bassanio, in The Merchant of Venice (TLN1401-1402), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Her severed lips parted with shugar breath
By Bassanio, in The Merchant of Venice (TLN1404-1405), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Madam you have bereft me of all words
By Bassanio, in The Merchant of Venice (TLN1461), William Shakespeare
in Folger MS V.a.87, f. 5v
 
I wish you all the joy that you can wish
By Gratiano, in The Merchant of Venice (TLN1476), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Welcome Sr if they that the youth of my new
interest heere have power to bid you wellcome
By Bassanio, in The Merchant of Venice (TLN1508-1509), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Heere are a few of the most unpleasantest words
that ever blotted paper.
By Bassanio, in The Merchant of Venice (TLN1541-1542), William Shakespeare
in Folger MS V.a.87, f. 5v
 
All the wealth I have runs in my vaines
By Bassanio, in The Merchant of Venice (TLN1544-1545), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Use your pleasure if your love doe not persua
de you to come let not my letter
By Bassanio, in The Merchant of Venice (TLN1609-1610), William Shakespeare
in Folger MS V.a.87, f. 5v
 
I shall obey you in all faire commands
By Lorenzo, in The Merchant of Venice (TLN1967), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Faire thoughts and happy hours attend on you
By Lorenzo, in The Merchant of Venice (TLN1702-1703), William Shakespeare
in Folger MS V.a.87, f. 5v
 
We are prepared for dinner
By Lorenzo, in The Merchant of Venice (TLN1784-1786), William Shakespeare
in Folger MS V.a.87, f. 5v
 
If the gods should play some heavenly match
and the wager lay too earthly women and you
one, there must bee something else prawnde with the other
for the poore rude would hath not her
fellow
By Jessica, in The Merchant of Venice (TLN1814-1818), William Shakespeare
in Folger MS V.a.87, f. 5v
 
He is well paide that is well satisfied:
By Portia, in The Merchant of Venice (TLN2258), William Shakespeare
in Folger MS V.a.87, f. 5v
 
my mind
is not mercenary.
By Portia, in The Merchant of Venice (TLN2261), William Shakespeare
in Folger MS V.a.87, f. 5v
 
This ring alasse it is a
trifle: I will not shame my selfe to give you this

By Bassanio, in The Merchant of Venice (TLN2273-2274), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Re:
O Sr I see you are liberall in offers
By Portia, in The Merchant of Venice (TLN2281), William Shakespeare
in Folger MS V.a.87, f. 5v
 
An:
I up
on more advice have sent you the ring
By Gratiano, in The Merchant of Venice (TLN2309-2310), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Reply
I accept it most thankfully
By Portia, in The Merchant of Venice (TLN2313), William Shakespeare
in Folger MS V.a.87, f. 5v
 
This night is but the daylight sicke it lookes
a little paler
By Portia, in The Merchant of Venice (TLN2461-2462), William Shakespeare
in Folger MS V.a.87, f. 5v
 
A light wife makes a heavy husband:
By Portia, in The Merchant of Venice (TLN2469), William Shakespeare
in Folger MS V.a.87, f. 5v
 
Give wellcome to my friende, tis hee to whom
I am so infinitly bound
By Bassanio, in The Merchant of Venice (TLN2573-2474), William Shakespeare
in Folger MS V.a.87, f. 5v
 
An:
Sr you are very
wellcome to our house it must appeare other
wayes then words therefore I scant this brea-
thing curtesy:
By Portia, in The Merchant of Venice (TLN2478-2480), William Shakespeare
in Folger MS V.a.87, f. 5v
 
But least you should not understand me well:
And yet a mayden hath no tongue but thought;
I would detayne you here some month or two,
Before you ventr for me
By Portia, in The Merchant of Venice (TLN1348-1351), William Shakespeare
in William Salt Library MS 308-40, f.98
 
you have devided mee
one halfe is yours: the other halfe yours,
mine owne I woud say; but if mine then yours
and so all is yours. O these naughty times
put barrs between the owners & their rights.
By Portia, in The Merchant of Venice (TLN1356-1360), William Shakespeare
in William Salt Library MS 308-40, f.98
 
They yt choose not by ye view Chance as fayre well and choose as true Let this fortune fall to you but Bee content & chuse no newe
By Bassanio, in The Merchant of Venice (TLN1478-1481), William Shakespeare
in William Salt Library MS 308-40, f.98v
 
You have bereft mee of all wordes Onely my bloud speakes to you in my vaines
By Bassanio, in The Merchant of Venice (TLN1522-1523), William Shakespeare
in William Salt Library MS 308-40, f.98v
 
Of Worldly Care:
-----
Of Mirth & Melancholy
You have too much Respect upon the world: They lose it that do buy it with much care: Believe me, you are marvellously changed.
By Gratiano, in The Merchant of Venice (TLN82-94), William Shakespeare
in British Library Lansdowne MS 1185, f. 16r
 
R By being Peevish---
Of Affected Gravity and Wisdom
There are a sort of men whose Visages Do cream and mantle like a standing Poolle, And do a wilful stilness entertain With purpose to be drest in an opinion Of Wisdom Gravity or profound conceit &c
By Gratiano, in The Merchant of Venice (TLN97-101), William Shakespeare
in British Library Lansdowne MS 1185, f. 16v
 
Of Impertinence
Gratiano speaks an infinite deal of Nothing more than any man in all Venice &_ _
By Bassanio, in The Merchant of Venice (TLN123-124), William Shakespeare
in British Library Lansdowne MS 1185, f. 16v
 
Of living above ones circumstances
Tis not unknown to you Antonio How much I have disabled mine estate By something showing a more swelling Port Than my faint means would grant Continuance
By Bassanio, in The Merchant of Venice (TLN131-134), William Shakespeare
in British Library Lansdowne MS 1185, f. 16v
 
Of Friendship
You know me well and herein spend but Time To wind about my Love with Circumstance And out of Doubt you doe me now more wrong In making question of my uttermost Than if you had made Waste of all I have
By Antonio, in The Merchant of Venice (TLN163-166), William Shakespeare
in British Library Lansdowne MS 1185, f. 16v
 
Of a welcome guest
A day in April never came so sweet To show how costly Summer was at Hand
By Servant, in The Merchant of Venice (TLN1208-1209), William Shakespeare
in British Library Lansdowne MS 1185, f. 17r
 
Of ye ?Cheat Of fake Glory and Appearances
The world is still deceivd with ornament In Law what Plea so tainted and Corrupt But being seasoned with a gracious Voice Obscures the show of evil? In Religion
By Bassanio, in The Merchant of Venice (TLN1420-1423), William Shakespeare
in British Library Lansdowne MS 1185, f. 17r
 
Of Silver
Nor Thou pale and common Drudge Tween Man and Man—
By Bassanio, in The Merchant of Venice (TLN1449-1450), William Shakespeare
in British Library Lansdowne MS 1185, f. 18v
 
Of Joy destroying the faculties of speech to show it
--You have bereft me of all words Only my blood speaks to you in my veins And there is such confusion in my powers As after some Oration fairely spoken By a beloved Prince there doth appear Among the buzzing pleased Multitude Where every Something being blent together Turns to a Wild of Nothing save of Joy Exprest and not exprest ___
By Bassanio, in The Merchant of Venice (TLN1522-1530), William Shakespeare
in British Library Lansdowne MS 1185, f. 18v
 
Of an Unpleasing letter
There are some shrewd contents in yond same paper, That steals ye colour from Bassanio's cheek: Some dear friend dead else Nothing in ye World Could turn so much ye constitution of any constant man._
By Portia, in The Merchant of Venice (TLN1596-1602), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Of any constant man. __
Here are a few of the unpleasant'st lines That ever blotted paper
By Bassanio, in The Merchant of Venice (TLN1607-1608), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Of a friend
The dearest friend to me the kindest man The best conditioned and unwearied Spirit In doing curtesies: ---
By Bassanio, in The Merchant of Venice (TLN1649-1651), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Of a Wifes believing her husbands friend
In Companions That do converse and waste ye Time together Whose souls do bear an equal yoke Of love, There must be needs a like proportion Of lineaments of manners and of spirit Which makes me think that this Antonio Being the bosom lover of my Lord Must needs be like my Lord. If it be so How little is the cost I have bestowed In purchasing ye semblance of my Soul From out the state of Hellish Cruelty This comes too near the praising of myself; Therefore no more of it
By Portia, in The Merchant of Venice (TLN1738-1749), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Death an advantage to ye miserable__.
;23456 78
--- It is still Fortunes Use To let the wretched man outlive his Wealth To view with hollow eye and wrinkled brow An Age of Poverty. From wc lingering pennance Of such misery doth she cut me off. —&c
By Antonio, in The Merchant of Venice (TLN2183-2187), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Of Musick Soft Stillness and ye Night Become the touches of Sweet Harmony—
Doe but note a wild and wanton herd Or race of youthful and unhandled Colts Fetching mad bounds bellowing and neighing loud Which is the hot Condition of their blood If they but hear perchance a Trumpet sound Or any ayre of Musick touch their ears You shall perceive them make a mutual stand Their savage eyes turn'd to a Modest gaze By the sweet power of Musick ___
By Lorenzo, in The Merchant of Venice (TLN2484-2492), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 

The Man that hath no music in Himself Nor is not movd with Concord of sweet Sounds Is fit for Treasons stratagems and spoils The motions of his spirit are dull as Night And his Affections dark as Erebus Let no such man be trusted: ___
By Lorenzo, in The Merchant of Venice (TLN2495-2501), William Shakespeare
in British Library Lansdowne MS 1185, f. 19
 
Pl. Shakesp. Ioh.
Mrchaunt of Ve Shakespear.
Auster
Theile not shew their teeth in way of smile, tho nestor swear ye iest bee laughable
By Solanio, in The Merchant of Venice (TLN60-61), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
Peeuish
Creepe into ye Iaundies by beeing peevishe.
By Gratiano, in The Merchant of Venice (TLN94-95), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
To bee drest in an opinion of &c
By Gratiano, in The Merchant of Venice (TLN100-101), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
Protests
my best meanes ly all vnlockt to yo occasions.
By Antonio, in The Merchant of Venice (TLN147-148), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
what warmth in yro affectiō towards decree
By Nerissa, in The Merchant of Venice (TLN226-228), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
Laws
The braine may deuise lawes for yee blood, but a hot temper leaps ore a cold
By Portia, in The Merchant of Venice (TLN212-214), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
pro
Doate on his absence.
By Portia, in The Merchant of Venice (TLN300), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
To supply the rype wants of &c.
By Antonio, in The Merchant of Venice (TLN388), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
 
Lou
o that I had a tytle good inough to keep his name companye.
By Solanio, in The Merchant of Venice (TLN1230-1231), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
"
intreats past all saying nay.
By Lorenzo, in The Merchant of Venice (TLN1579), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
An vnwearied spirit in doing good.
By Bassanio, in The Merchant of Venice (TLN1650-1651), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
seasō
many things by season seasond are to their right prais & true perfection
By Portia, in The Merchant of Venice (TLN2521-2522), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r
 
simile
hee knowes mee as the blynd maN knows ye cucko by my bad voice
By Portia, in The Merchant of Venice (TLN2528-2529), William Shakespeare
in Bodleian Library MS English poetry d. 3, f. 41r