DEx - manuscripts authors characters plays bibliography search | Spelling: normalized original


Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Fawn - Results found: 31

| His breath want’s ayringe,
By Donna Zoya, in The Fawn (2.390), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
his calues are sunke into his toes. /
By Gonzago, in The Fawn (2.543-544), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
| Natures hand shooke when she was makinge, for the redd that should have
| spread hir cheeks, nature lett fall vppon hir nose, the white of hir skinne
| chinne: slipt into hir eyes, and the gray of hir eyes ( lept before his tyme )
| into hir haire, and the yellownes of hir haire fell into hir teeth. /
By Hercules, in The Fawn (3.79-85), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
| Drunkenness is iustice it selfe, for if it take it will restore it agayne
| it makes the kinge and pesant equall, for if they be both druncke
they are both beasts alike
By Hercules, in The Fawn (5.163-168), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
I rest at your your dispose ES
By Dulcimel, in The Fawn (1.2.103), John Marston
in Folger MS V.a.87, f. 4v
 
Let my blood and love challenge the freedoms
of one question:
By Renaldo, in The Fawn (1.1.5-6), John Marston
in Folger MS V.a.87, f. 8v
 
Honour avoydes not only just
defame: But flyes all means that may ill
voice his name:
By Renaldo, in The Fawn (1.1.15-16), John Marston
in Folger MS V.a.87, f. 8v
 
I will not take love by atturney or make Elec-tion out of tounges:
By Hercules, in The Fawn (1.1.26-27), John Marston
in Folger MS V.a.87, f. 8v
 
A pretty crab would yeeld
tart juce if he were squeezed:
By Herod, in The Fawn (1.2.12-13), John Marston
in Folger MS V.a.87, f. 8v
 
newes
By Dondolo, in The Fawn (1.2.26), John Marston
in Folger MS V.a.87, f. 8v
 
Hee has had a good
wit
By Dondolo, in The Fawn (1.2.39-41), John Marston
in Folger MS V.a.87, f. 8v
 
I rest most dutious to your dispose:
By Dulcimel, in The Fawn (1.2.95), John Marston
in Folger MS V.a.87, f. 8v
 
The curtesye of art hath given more life to that
part then the sad cares of state would grant
By Tiberio, in The Fawn (1.2.131-132), John Marston
in Folger MS V.a.87, f. 8v
 
It flatters somwhat he hath seene more yeares
By Tiberio, in The Fawn (1.2.134-135), John Marston
in Folger MS V.a.87, f. 8v
 
Experienced age the true delphos:
By Gonzago, in The Fawn (1.2.149-150), John Marston
in Folger MS V.a.87, f. 8v
 
Plaine maining shunneth art wee use not
rhetoricke:
By Gonzago, in The Fawn (1.2.183-185), John Marston
in Folger MS V.a.87, f. 8v
 
gentlemen why hazerd you your reputation in shamfull company
of such a branded creature:
By Zuccone, in The Fawn (4.1.401-402), John Marston
in Folger MS V.a.87, f. 8v
 
without paraphrase your meaning:
By Zuccone, in The Fawn (4.1.406), John Marston
in Folger MS V.a.87, f. 8v
 
That’s the greefe that I have wronged so deli=cate a creature:
By Zuccone, in The Fawn (4.1.445-448), John Marston
in Folger MS V.a.87, f. 8v
 
The only not beautifull but
very beauty of women:
By Hercules, in The Fawn (4.1.454-455), John Marston
in Folger MS V.a.87, f. 8v
 
The softnes and very curtesy of her sexe:
By Hercules, in The Fawn (4.1.469-470), John Marston
in Folger MS V.a.87, f.9r
 
Shee has 3 haires on her skalpe. 4 teeth in her
head a brow wrinckled and puckred like parchment halfe burnt: her somtimes envious lips
now shrinke in and give her nose and her chin
leave to kisse: her reverend mouth never opens
but the very breath that flyes out of it infects
the fowles her brests hang like cobwebs:
By Hercules, in The Fawn (4.1.490-498), John Marston
in Folger MS V.a.87, f.9r
 
Her phrase displayes whose shee is:
By Gonzago, in The Fawn (4.1.571), John Marston
in Folger MS V.a.87, f.9r
 
I temporised
By Dulcimel, in The Fawn (4.1.605), John Marston
in Folger MS V.a.87, f.9r
 
let oblivion be your utmost hope:
By Donna Zoya, in The Fawn (5.1.116-117), John Marston
in Folger MS V.a.87, f.9r
 
newes no childe shall be begotten this year but
it shall have a true father:
By Dondolo, in The Fawn (5.1.69-70), John Marston
in Folger MS V.a.87, f.9r
 
Tis wisdome to acknowledge ignorance of what
wee know not:
By Gonzago, in The Fawn (5.1.135-136), John Marston
in Folger MS V.a.87, f.9r
 
Drinke down a dutchman:
By Gonzago, in The Fawn (5.1.157), John Marston
in Folger MS V.a.87, f.9r
 
I will be most humane and courteously langua
ged in they corection:
By Hercules, in The Fawn (5.1.286), John Marston
in Folger MS V.a.87, f.9r
 
upon your aparent rep
entence that all may witnes I have: for a short
time only thus faynedly hated you that you
might hereafter truly love mee I reaccept you
By Hercules, in The Fawn (5.1.301-304), John Marston
in Folger MS V.a.87, f.9r
 
Hee seemes wise only by silence:
By Hercules, in The Fawn (5.1.354-355), John Marston
in Folger MS V.a.87, f.9r