Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Fawn - Results found: 31

your breath wants airing
By Donna Zoya, in The Fawn (2.390), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
his calues are sunk into his toes.
By Gonzago, in The Fawn (2.543-544), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
Nature's hand shook when she was in making, for the red that should have
spread her cheeks, nature let fall upon her nose, the white of her
skin slipped into her eyes, and the gray of her eyes leapt before his time
inot her hair, and the yellowness of her hair fell without providence into her teeth.
By Hercules, in The Fawn (3.79-85), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
Drunkness , O it is a most fluent and swelling virtue, sure the most just of all virtues, is justic itself, for if it chance to oppress and take too much, it presently restores it again
It makes the king and the peasant equal, for if they are both drunk alike
they are both beasts alike
By Hercules, in The Fawn (5.163-168), John Marston
in Bodleian Library MS Rawlinson poetry 117, f. 164v (rev)
 
I rest most duteous to your dispose
By Dulcimel, in The Fawn (1.2.103), John Marston
in Folger MS V.a.87, f. 4v
 
Let my blood and love challenge the freedom
of one question:
By Renaldo, in The Fawn (1.1.5-6), John Marston
in Folger MS V.a.87, f. 8v
 
Honour avoids not only just
defame: But flies all means that may ill
voice his name:
By Renaldo, in The Fawn (1.1.15-16), John Marston
in Folger MS V.a.87, f. 8v
 
as not to take love by attorney or make my election out of tongues:
By Hercules, in The Fawn (1.1.26-27), John Marston
in Folger MS V.a.87, f. 8v
 
A pretty crab! He would yield
tart juice and he were squeezed:
By Herod, in The Fawn (1.2.12-13), John Marston
in Folger MS V.a.87, f. 8v
 
news
By Dondolo, in The Fawn (1.2.26), John Marston
in Folger MS V.a.87, f. 8v
 
I have had a good
wit
By Dondolo, in The Fawn (1.2.39-41), John Marston
in Folger MS V.a.87, f. 8v
 
I rest most duteous to your dispose:
By Dulcimel, in The Fawn (1.2.95), John Marston
in Folger MS V.a.87, f. 8v
 
The courtesy of art hath given more life to that
part than the sad cares of state would grant
By Tiberio, in The Fawn (1.2.131-132), John Marston
in Folger MS V.a.87, f. 8v
 
Then doth it somewhat flatter, for our father hath seen more years
By Tiberio, in The Fawn (1.2.134-135), John Marston
in Folger MS V.a.87, f. 8v
 
Experienced age is the true delphos:
By Gonzago, in The Fawn (1.2.149-150), John Marston
in Folger MS V.a.87, f. 8v
 
Plain meaning shunneth art You are most welcome--Lord Granuffo, a trick, A figure, note we use no
rhetoric:
By Gonzago, in The Fawn (1.2.183-185), John Marston
in Folger MS V.a.87, f. 8v
 
gentlemen why hazard you your reputation in shameful company
with such a branded creature:
By Zuccone, in The Fawn (4.1.401-402), John Marston
in Folger MS V.a.87, f. 8v
 
without paraphrase your meaning:
By Zuccone, in The Fawn (4.1.406), John Marston
in Folger MS V.a.87, f. 8v
 
That’s the grief on't [Hercules interjects] That's-- that I have wronged so delicate a creature:
By Zuccone, in The Fawn (4.1.445-448), John Marston
in Folger MS V.a.87, f. 8v
 
The only not beautiful but
very beauty of women:
By Hercules, in The Fawn (4.1.454-455), John Marston
in Folger MS V.a.87, f. 8v
 
The softness and very courtesy of her sex:
By Hercules, in The Fawn (4.1.469-470), John Marston
in Folger MS V.a.87, f.9r
 
Shee has three hairs on her scalp. and four teeth in her
head a brow wrinkled and puckered like parchment half burnt: She has had eyes. No woman's jawbones are more apparent. her sometimes envious lips
now shrink in and give her nose and her chin
leave to kiss each other very moistly. As for: her reverend mouth it seldom opens
but the very breath that flies out of it infects
the fowls of the air, and makes them drop down dead her breasts hang like cobwebs:
By Hercules, in The Fawn (4.1.490-498), John Marston
in Folger MS V.a.87, f.9r
 
Her very phrase displays whose child she is:
By Gonzago, in The Fawn (4.1.571), John Marston
in Folger MS V.a.87, f.9r
 
I temporized
By Dulcimel, in The Fawn (4.1.605), John Marston
in Folger MS V.a.87, f.9r
 
let oblivion be your utmost hope:
By Donna Zoya, in The Fawn (5.1.116-117), John Marston
in Folger MS V.a.87, f.9r
 
That this year no child shall be begotten but
it shall have a true father:
By Dondolo, in The Fawn (5.1.69-70), John Marston
in Folger MS V.a.87, f.9r
 
Tis wisdom to acknowledge ignorance of what
we know not:
By Gonzago, in The Fawn (5.1.135-136), John Marston
in Folger MS V.a.87, f.9r
 
Drunk down a dutchman:
By Gonzago, in The Fawn (5.1.157), John Marston
in Folger MS V.a.87, f.9r
 
I will be most humane and right courteously langua
ged in they correction:
By Hercules, in The Fawn (5.1.286), John Marston
in Folger MS V.a.87, f.9r
 
upon your apparent rep
entence that all modest spectators may witnes I have: for a short
time only thus feignedly hated you that you
might hereafter truly love me I reaccept you
By Hercules, in The Fawn (5.1.301-304), John Marston
in Folger MS V.a.87, f.9r
 
Seeming wise only by silence:
By Hercules, in The Fawn (5.1.354-355), John Marston
in Folger MS V.a.87, f.9r