Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Bondman - Results found: 22

why should you droope or dispaire her favor
By Timagoras, in The Bondman (1.1.1-2), Philip Massinger
in Folger MS V.a.87, f. 5v
 
Prethee doe not nourish these jealous thoughts
By Timagoras, in The Bondman (1.1.24-25), Philip Massinger
in Folger MS V.a.87, f. 5v
 
High birth wealth and courage are feed advo
cates to mediate for me, Thou a foole that hast only the shape of man
By Timagoras, in The Bondman (1.1.33-35), Philip Massinger
in Folger MS V.a.87, f. 5v
 
A raw young fellow never traind in arms but
rather fashioned to tilt with ladyes lips, then
crack a launce, ravish a feather from a mistresse fan and weare it as a favor a steele hel
met will cracke his necke:
By Timagoras, in The Bondman (1.1.50-56), Philip Massinger
in Folger MS V.a.87, f. 5v
 
Hees a man of reserved parts:
By Timagoras, in The Bondman (1.1.64-65), Philip Massinger
in Folger MS V.a.87, f. 5v
 
Ile forbeare character --
By Timagoras, in The Bondman (1.1.66), Philip Massinger
in Folger MS V.a.87, f. 5v
 
Her Doctor minister phisicke to her on her back
She lying as were intranced
By Gracculo, in The Bondman (1.2.9-11), Philip Massinger
in Folger MS V.a.87, f. 5v
 
The dew flowing on your beard cures my lips without pomatum
By Gracculo, in The Bondman (1.2.22-23), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Hees like a stag hes cast his hornes and become
young againe
By Gracculo, in The Bondman (1.2.32), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Tis a favour we are unworthy of
and we blush necessity compels us to receive it
By Diphilus, in The Bondman (1.3.9-11), Philip Massinger
in Folger MS V.a.87, f. 7r
 
we expect every minute to be blest with his pre
sence
By Archidamus, in The Bondman (1.3.33-34), Philip Massinger
in Folger MS V.a.87, f. 7r
 
He stands licking his lips like a spaniall over a firmnety pot ·
By Gracculo, in The Bondman (1.3.64-65), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Ile steere an even course =
By Timoleon, in The Bondman (1.3.121-122), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Twas a deed deserving rather the trophees then
reproofe =
By Timagoras, in The Bondman (1.3.137-138), Philip Massinger
in Folger MS V.a.87, f. 7r
 
women areacoman wealth =
By Gracculo, in The Bondman (1.3.164), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I could not wish my thoughts a better organ then
your tounge to expresse them =
By Timoleon, in The Bondman (1.3.325-326), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I am steele to the backe I have not wasted my
strength in feather beds:
By Archidamus, in The Bondman (2.1.3-4), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Millions of blessings on thee
By Archidamus, in The Bondman (2.1.51), Philip Massinger
in Folger MS V.a.87, f. 7r
 
twere impertinence to
wish you to be carefull of your honour that ever
keepe in pay a guard of faithfull vertues about you =
By Timagoras, in The Bondman (2.1.55-57), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I never conversed you further then might
become a brother I nere tuned loose notes to your
chast eares or brought rich presents for my ar
tillery to batter downe the fortresse of your honor
nor endeavored to make your blood to run high at
solemne feasts with viands the speeding Philtres
I workt no bawdes to tempt you
By Leosthenes, in The Bondman (2.1.124-131), Philip Massinger
in Folger MS V.a.87, f. 7r
 
honest simplicity
and truth were all the agents I employed and
when I came to see you it was with that reverence
I beheld the alters of the gods and love that
came along with mee was taught to leave his
arrowes and his torch behind quenched in my
feare to give offence:
By Leosthenes, in The Bondman (2.1.134-139), Philip Massinger
in Folger MS V.a.87, f. 7r
 
this kiss when you come
backe shall be a virgin to bid you wellcome =
By Timagoras, in The Bondman (2.1.191-192), Philip Massinger
in Folger MS V.a.87, f. 7r