Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

The Bondman - Results found: 22

why should you droop , Leosthenes, or despair my sister's favor
By Timagoras, in The Bondman (1.1.1-2), Philip Massinger
in Folger MS V.a.87, f. 5v
 
Prithee do not nourish these jealous thoughts
By Timagoras, in The Bondman (1.1.24-25), Philip Massinger
in Folger MS V.a.87, f. 5v
 
High birth wealth courage are feed advo
cates to mediate for him, never will consent a fool that has only the shape of man
By Timagoras, in The Bondman (1.1.33-35), Philip Massinger
in Folger MS V.a.87, f. 5v
 
A raw young fellow one never traind in arms but
rather fashioned to tilt with ladies' lips, than
crack a lance, ravish a feather from a mistress fan and wear it as a favor a steel hel
met made horrid with a glorious plume will crack his woman's neck:
By Timagoras, in The Bondman (1.1.50-56), Philip Massinger
in Folger MS V.a.87, f. 5v
 
He is a man of reserved parts:
By Timagoras, in The Bondman (1.1.64-65), Philip Massinger
in Folger MS V.a.87, f. 5v
 
I'll forbear his character --
By Timagoras, in The Bondman (1.1.66), Philip Massinger
in Folger MS V.a.87, f. 5v
 
her young Doctor who ministers physic to her on her back
Her Ladyship lying as she were entranced
By Gracculo, in The Bondman (1.2.9-11), Philip Massinger
in Folger MS V.a.87, f. 5v
 
a sweet dew flows on them, it cures my lips without pomatum
By Gracculo, in The Bondman (1.2.22-23), Philip Massinger
in Folger MS V.a.87, f. 7r
 
like a stag he has cast his horns and is grown
young again
By Gracculo, in The Bondman (1.2.32), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Tis a favour we are unworthy of
and we may blush necessity compels us to receive it
By Diphilus, in The Bondman (1.3.9-11), Philip Massinger
in Folger MS V.a.87, f. 7r
 
every minute we expect to be blessed with his pre
sence
By Archidamus, in The Bondman (1.3.33-34), Philip Massinger
in Folger MS V.a.87, f. 7r
 
licking his lips like a spaniel over a Fermenty pot ·
By Gracculo, in The Bondman (1.3.64-65), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I must steer an even course =
By Timoleon, in The Bondman (1.3.121-122), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Twas a deed deserving rather trophies than
reproof =
By Timagoras, in The Bondman (1.3.137-138), Philip Massinger
in Folger MS V.a.87, f. 7r
 
We are a commonwealth =
By Gracculo, in The Bondman (1.3.164), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I could not wish my thoughts a better organ than
your tongue to express them =
By Timoleon, in The Bondman (1.3.325-326), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I am tough steel to the back I have not wasted my
strength in feather beds:
By Archidamus, in The Bondman (2.1.3-4), Philip Massinger
in Folger MS V.a.87, f. 7r
 
Millions of blessings on thee
By Archidamus, in The Bondman (2.1.51), Philip Massinger
in Folger MS V.a.87, f. 7r
 
twere impertinence to
wish you to be careful of your honour that ever
keep in pay a guard about you of faithful virtues
By Timagoras, in The Bondman (2.1.55-57), Philip Massinger
in Folger MS V.a.87, f. 7r
 
I have conversed with you no farther than would
become a brother I never tuned loose notes to your
chaste ears or brought rich presents for my ar
tillery to batter down the fortress of your honor
nor endeavored to make your blood to run high at
solemn feasts with viands that provoke the speeding filters
I worked no bawds to tempt you
By Leosthenes, in The Bondman (2.1.124-131), Philip Massinger
in Folger MS V.a.87, f. 7r
 
honest simplicity
and truth were all the agents I employed and
when I came to see you it was with that reverence as
I beheld the altars of the gods and love that
came along with me was taught to leave his
arrows and his torch behind quenched in my
fear to give offence:
By Leosthenes, in The Bondman (2.1.134-139), Philip Massinger
in Folger MS V.a.87, f. 7r
 
this kiss when you come
back shall be a virgin to bid you welcome =
By Timagoras, in The Bondman (2.1.191-192), Philip Massinger
in Folger MS V.a.87, f. 7r