Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Love Tricks, or The School of Compliments - Results found: 26

Out of ye prol.
ye Exactest building first
Grew from a stone, though afterward it durst
Wrap his faire head in clouds, nothing soe true / As all things have beeginning.
By Prologue, in Love Tricks, or The School of Compliments (prologue), James Shirley
in British Library Additional MS 22608, f. 80r
 
ib.
ye play is / ye first fruits of a muse, yt before this / never saluted audience, nor doth
meanes, / to sweare himselfe a factor for ye scene.
By Prologue, in Love Tricks, or The School of Compliments (prologue), James Shirley
in British Library Additional MS 22608, f. 80r
 
Though my outward part / cannot attract affection, yet some have told mee, / nature
hate made mee what shee need not frowne
By Infortunio, in Love Tricks, or The School of Compliments (1.1), James Shirley
in British Library Additional MS 22608, f. 80r
 
A tree yt beares a ragged unleavd top / in depth of winter, may when summer comes /
speake by his fruit hee is not dead but youthfull; / though once hee shewd noe sap.
By Infortunio, in Love Tricks, or The School of Compliments (1.1), James Shirley
in British Library Additional MS 22608, f. 80r
 
You are nimble to mistake he, you are ready to take mee in a wrong meaning.
By Infortunio, in Love Tricks, or The School of Compliments (1.1), James Shirley
in British Library Additional MS 22608, f. 80r
 
 
Come sit down: saving yr taile, [Sir} a cushion wee may discourse wth ye more ease.
By Rufaldo, in Love Tricks, or The School of Compliments (2.1), James Shirley
in British Library Additional MS 22608, f. 80r
 
Tis a good ditty, and beesides it’s set to a good aire
By Rufaldo, in Love Tricks, or The School of Compliments (2.1), James Shirley
in British Library Additional MS 22608, f. 80r
 
 
There is a methode, when yr passion's young / to keep it in obedience, you love Rufaldo / art
thou not young? how will ye rose agree / wth a dead hyacinth? or ye hony woodbine, circling
a withered bryar? you can apply, can you submit yt body / to bed wth ice and snow, yr
blood to mingle? / would you bee deaf'd wth coughing, teach yr eye / How to bee rumaticke?
breaths he not out / his body is diseases, and like dust / falling all into peeces, as of
nature / would make him his owne grave.
By Cornelio, in Love Tricks, or The School of Compliments (2.2), James Shirley
in British Library Additional MS 22608, f. 80r
 
Oh Selina, thou art too much an adamant, to draw my soule unto thee, either bee
softer or lesse attractive.
By Infortunio, in Love Tricks, or The School of Compliments (2.2), James Shirley
in British Library Additional MS 22608, f. 80r
 
Act. 3.
your old men looke upon them wth their spectacles, as they would an obligation
wth in a minute of forfeiture:
By Gorgon, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Troth Sr I doe not know how to conster what you say, allthough I know it bee Latine.
By Bubulcus, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Where I am not guilty of offence, I might deny iustly to descend to a satisfaction.
By Delia, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Keepe of, or I will cute thee into atomes and blow thee about ye world.
By Gentleman, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
x this was a devillish speech. ↄncerning yt as was spoken just now)
I will outlabour Joveborne Hercules, / and in a greater fury ransacke hell: / teare from ye
sisters their ↄtorted curles, / and wracke ye destinies on Ixions wheele: / braine Proserpine wth
Sisiphs rowling stone / and in a brazen caldron choakd wth leade / boyle Minos, Eacus, and
Radamant / make ye infernall three-chapt band-dog roare. cram Tantalus wth apples, lash
ye fiends / wth whips of snakes and poison'd scorpions: / snatch chain'd Prometheus from ye Vultures
may, / and feed him wth her liver, make old Charon / waft backe again ye soules, or buffet
him / wth his owne Oares to death
By Gentleman, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Thou art a goddesse, yt to amaze ye earth / wth thy celestiall presence hath put on / ye habit of a
mortall, gods sometimes / would visit country "country" has the weird c thing here. -SH houses, and guild ore / a sublunary habitation / wth the
glory of their presence, and make heaven / descend into an hermitage:
By Ingeniolo, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Venus her-selfe / When
thou appearst must leave her bird-drawne coch, / and give ye reines to thee, while ye great gods /
looking amaz'd from their cristall windowes, wonder what new come deity doth call / them to thy
adorac̄on
By Ingeniolo, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Thou art an honest man, and shalt keepe ye poore-mans boxe for 7 yeares together
By Infortunio, in Love Tricks, or The School of Compliments (3.5), James Shirley
in British Library Additional MS 22608, f. 80v
 
Act. 4.
To feed on oister-pies and rumpes of sparrowes
By Rufaldo, in Love Tricks, or The School of Compliments (4.1), James Shirley
in British Library Additional MS 22608, f. 80v
 
Those eyes yt grace ye day now shine on him, ye tongue [that]s able to rocke heaven asleepe.
and make ye musicke of ye spheres stand still, / to ye happier aires it makes, / and mend
their tunes by it.
By Infortunio, in Love Tricks, or The School of Compliments (4.2), James Shirley
in British Library Additional MS 22608, f. 80v
 
Ile have a garland for my boy / of Phoenix feathers: flowers are too meane / to sit upon
thy temples; in thy face / are many gardens, spring had never such: / ye roses and ye
lillies of thy cheeks / are slips of paradise, not to bee gathered, / but wondered at.
By Infortunio, in Love Tricks, or The School of Compliments (4.2), James Shirley
in British Library Additional MS 22608, f. 80v
 
Mine eyes are going to bed and leaden sleepe doth draw ye curtaines ore them.
By Infortunio, in Love Tricks, or The School of Compliments (4.2), James Shirley
in British Library Additional MS 22608, f. 80v
 
Act. 5.
Ide deech my eyes to weepe too, / and wee would sit upon a banke, and play / drop-teere, til
one were bankrupt.
By Infortunio, in Love Tricks, or The School of Compliments (5.1), James Shirley
in British Library Additional MS 22608, f. 80v
 
 
I am as chast from any sinfull act, as when I was first mantled after birth.
By Hilaria, in Love Tricks, or The School of Compliments (5.3), James Shirley
in British Library Additional MS 22608, f. 80v