Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Cynthia's Revels - Results found: 56

Amorphus his Mistris Glove
Thou more than most sweet glove
Unto my more sweet Love
Suffer me to store with kisses,
This empty lodging that now misses
The pure rosy hand that ware thee, Whiter than the kid that bare thee:
Thou art soft but that was softer
Cupids self hath kissed it ofter
Than e'er he did his mothers doves
Supposing Her the Queene of Loves
That was thy mistress
Best of Gloves.
By Amorphus, in Cynthia's Revels (4.3.252-263), Ben Jonson
in Bodleian Library MS Rawlinson poetry 142, f. 45v
 
Crites begging that his invention might thriue
Now thrive Invention in this glorious Court
By Crites, in Cynthia's Revels (5.5.70), Ben Jonson
in Bodleian Library MS Rawlinson poetry 142, f. 45v
 
Apollo if with ancient rites And due devotions I have ever hung
Elaborate Peans on thy golden shrine,
Or sung thy triumphs in a lofty strain
Fit for a theatre of Gods to hear.
And thou the other son of mughty Jove, Cyllenian Mercury sweet Majas joy lb inside canonical here If in the busy tumults of the mindMy path thou ever hast illumined
For which thine altars I have oft perfumed And decked thy statue with discoloured flowers: now.
By Crites, in Cynthia's Revels (4.6.59-69), Ben Jonson
in Bodleian Library MS Rawlinson poetry 142, f. 45v
 

When hath Diana , like an envious wretch That glitters only to his soothed self, Denying to the world the precious use Of hoarded wealth, withheld her friendly aid? Monthly we spend our still- repairèd shine, And not forbid our virgin-waxen torch To burn and blaze while nutriment doth last; That once consumed, out of Jove’s treasury A new we take, and stick it in our sphere
By Cynthia, in Cynthia's Revels (5.6.19-27), Ben Jonson
in Bodleian Library MS Rawlinson poetry 142, f. 45v
 
I might go to my school of glass again and learn to do myself right after all this ruffling
By Phantaste, in Cynthia's Revels (5.10.39-40), Ben Jonson
in Bodleian Library MS Rawlinson poetry 142, f. 45v
 
two lips wagging & never a wise word. B. J.
By Amorphus, in Cynthia's Revels (5.3.82-83), Ben Jonson
in Bodleian Library MS English miscellaneous c. 34, f. 119v
 
two lips wagging & never a wise word. B. Jonson
By Amorphus, in Cynthia's Revels (5.3.82-83), Ben Jonson
in Bodleian Library MS English miscellaneous c. 34, f. 121r
 
Plays: Jonson: Cynthia's Revels.
"
Faith, I dare tempt my fortune in a greater venture than this.
By Second Child, in Cynthia's Revels (Praeludium 16), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Tut, this was but to show us the happiness of his memory
By First Child, in Cynthia's Revels (Praeludium 84), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
Quick sight, and quicker apprehension
By First Child, in Cynthia's Revels (Prologue 2), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Simile
Alas, your palms, Jupiter knows, they are as tender as the foot of a foundered nag or a lady's face new mercuried ; they’ll touch nothing.
By Cupid, in Cynthia's Revels (1.1.15-16), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
""
The edge of my wit is clear taken off with the fine and subtle stroke of your thin-ground tongue; you fight with too poignant a phrase
By Mercury, in Cynthia's Revels (1.1.58-59), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
these strains too often, they'll stretch my patience
By Mercury, in Cynthia's Revels (1.1.65-66), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
So wretched is it to be merely rich. Witness thy youth’s dear sweets here spent untasted, Like a fair taper with his own flame wasted.
By Echo, in Cynthia's Revels (1.2.51-53), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
I have but one poor thought to clothe In airy garments, and then, faith, I go.
By Echo, in Cynthia's Revels (1.2.97-98), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
This is somewhat above strange.
By Amorphus, in Cynthia's Revels (1.3.11), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
speak the mere extraction of language.
By Amorphus, in Cynthia's Revels (1.3.27), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Admiration
Admiration herself doth seem to fasten her kisses upon me
By Amorphus, in Cynthia's Revels (1.3.33), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
I doneither see, nor feel, nor taste, nor savour the least steam or fume of a reason
By Amorphus, in Cynthia's Revels (1.3.33-34), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
loath to stand out to any
By Amorphus, in Cynthia's Revels (1.4.28-29), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
Pray you make this gentleman and I friends
By Asotus, in Cynthia's Revels (1.4.39), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Your phrase was without me
By Criticus, in Cynthia's Revels (1.4.42), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
Why, is’t a thing of such present necessity that it requires so violent a dispatch ?
By Criticus, in Cynthia's Revels (1.4.48-49), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
'Tis too pointed and open
By Amorphus, in Cynthia's Revels (1.4.66), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
You forgive the humour of mine eye in observing it?
By Amorphus, in Cynthia's Revels (1.4.84), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
Both your desert and your endeavours are plentiful
By Amorphus, in Cynthia's Revels (1.4.102), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Good faith,this hat hath possessed mine eye exceedingly
By Amorphus, in Cynthia's Revels (1.4.112-113), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
And from this time exteem yourself in the first rank of those few whom I profess to love.
By Amorphus, in Cynthia's Revels (1.4.132-133), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
How pursued With open and extended appetite!
By Criticus, in Cynthia's Revels (1.5.21-22), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
not utter a phrase but what shall come forth steeped in the very brine of conceit and sparkle like salt in fire.
By Mercury, in Cynthia's Revels (2.1.6-7), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
wit""
Madam, your whole self cannot but be perfectly wise, for your hands have wit enough to keep themselves warm.
By Anaides, in Cynthia's Revels (2.2.40-41), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
he has two essential parts of the courtier, pride and ignorance
By Mercury, in Cynthia's Revels (2.2.63), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
A vigilant and inquiring eye.
By Amorphus, in Cynthia's Revels (2.3.3), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
a most promising, open, smooth andoverflowing face, that seemes as it would run and pour itself into you.
By Amorphus, in Cynthia's Revels (2.3.35-36), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
simile
He speaks all cream, skimmed,and more affected than a dozen of waiting women.
By Mercury, in Cynthia's Revels (2.3.70-71), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
his His eye and his raiment confer much together as he goes in the street.
By Mercury, in Cynthia's Revels (2.3.86-87), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
a complete
man
this fellow weighs somewhat.
By Mercury, in Cynthia's Revels (2.3.91), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
"
"
"
He will think and speak his thought, both
freely but as distant from depraving any other man's merit, as proclaiming his own. For his valour, ’tis such that he dares as little to offer an injury as receive one. In sum, he hath a most ingenious and sweet spirit, a sharp
and seasoned wit, a straight judgement and a strong mind, constant and unshaken. Fortune could never break him or make him less. he counts it his
pleasure to despise pleasures, and is more delighted with good deeds than goods.
By Mercury, in Cynthia's Revels (2.3.101-107), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
He's one I would not have a wry thought darted against willingly.
By Mercury, in Cynthia's Revels (2.3.115), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40r
 
Plays: Jonson: Marston
"
A most complete lady in the opinion of some three beside herself.
By Cupid, in Cynthia's Revels (2.4.33-34), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
A physician
Oh!His very looks, his discourse, his behaviour , all he does is physic, I protest.
By Phantaste, in Cynthia's Revels (2.4.66-67), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
"
undertake the bastinado, that the state might think worthily of him and respect him as a man well beaten to the world.
By Amorphus, in Cynthia's Revels (3.1.7-9), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Love
disordered the whole rank of your spirits.
By Amorphus, in Cynthia's Revels (3.1.28-29), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Marry, speak all the venom I can of him, and poison his reputation inevery place where I come.
By Hedon, in Cynthia's Revels (3.2.34-35), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Contempt "
this afflicts me more than all the rest, that we should so particularly direct our hate and contempt against him, and he to carry it thus without wound or passion! 'Tis insufferable.
By Hedon, in Cynthia's Revels (3.2.14-16), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
just value
Men speak ill of thee’; so they be ill men, If they spake worse ’twere better, for of such To be dispraised is the most perfect praise.
By Criticus, in Cynthia's Revels (3.3.14-16), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
"
discompanied
By Amorphus, in Cynthia's Revels (3.5.1-23), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Love
God's my life, how he does all to bequalify her!
By Philautia, in Cynthia's Revels (4.3.11), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
slow
Oh, I do fancy this gear that’s long a-coming, with an unmeasurable strain.
By Moria, in Cynthia's Revels (4.1.16-17), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
speech
There’s one speaks in a key, like the opening of some justice’s gate or a post-boy’s horn, as if his voice feared an arrest for some ill words it should give and were loath to come forth.
By Phantaste, in Cynthia's Revels (4.1.47-50), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
"
I am to say toyou, these ladies are not of that close and open behaviour as happily you maysuspend.
By Moria, in Cynthia's Revels (4.2.32-34), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
"
Monsieur Hedon, I must entreat you to exchange knowledge with this gentleman.
By Amorphus, in Cynthia's Revels (4.3.316-317), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
"
Oh, she is the extraction of a dozen of puritans for a look.
By Philautia, in Cynthia's Revels (4.5.17), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Love
Thy presence broad-seals our delights for pure
By Arete, in Cynthia's Revels (5.1.74), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Protest
Potential merit stands for actual Where only opportunity doth want.
By Arete, in Cynthia's Revels (5.1.87-88), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v
 
Protest
without excess can make use of superfluities
By Mercury, in Cynthia's Revels (5.4.23), Ben Jonson
in Bodleian Library MS English poetry d. 3, f. 40v