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Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Antonio and Mellida - Results found: 40

Ratling thunderclaps break from his lips
By Pandulpho Feliche, in Antonio and Mellida (Induction.87), John Marston
in Folger MS V.a.87, f. 10r
 
Dayne to valye our wants with sleeke acceptance
By Prologue, in Antonio and Mellida (Induction.20-21), John Marston
in Folger MS V.a.87, f. 10r
 
His triumph beate the aire:
By Antonio, in Antonio and Mellida (1.1.30), John Marston
in Folger MS V.a.87, f. 10r
 
Hee lookes like an ore rosted pig & his eyes look
as if the had been hung in smoake of his nose
By Rossaline, in Antonio and Mellida (1.1.123-127), John Marston
in Folger MS V.a.87, f. 10r
 
How her eyes dart wonder on my heart:
By Antonio, in Antonio and Mellida (1.1.161), John Marston
in Folger MS V.a.87, f. 10r
 
Lady, your strange habit doth beget our preg=nant thoughts, even great of much desire to be
acquaint with your condition,
By Mellida, in Antonio and Mellida (1.1.164-171), John Marston
in Folger MS V.a.87, f. 10r
 
Re:
faire creature weele not vale
our names, it pleased the font to dip mee = = =
Shee beares the name
By Rossaline, in Antonio and Mellida (1.1.174-176), John Marston
in Folger MS V.a.87, f. 10r
 
An:
Rep:
Madam I am obliged to
kisse your hand, by imposition of a friend
By Antonio, in Antonio and Mellida (1.1.178-181), John Marston
in Folger MS V.a.87, f. 10r
 
My fathers cottage will be proud to entertayne
your presence. if youle dayne to make repose
within:
By Mellida, in Antonio and Mellida (1.1.248-249), John Marston
in Folger MS V.a.87, f. 10r
 
vouchsafe mee your service I shall
be proud of such bondage:
By Castilio Balthazar, in Antonio and Mellida (2.1.68-69), John Marston
in Folger MS V.a.87, f. 10r
 
The night grows old and downy sleepe courts
us to entertaine his company:
By Piero Sforza, Duke of Venice, in Antonio and Mellida (2.1.250-251), John Marston
in Folger MS V.a.87, f. 10r
 
A strong conceite itis rich so most men deame If not to be tis comfort yet to seeme:
By Lucio, in Antonio and Mellida (4.1.44-45), John Marston
in Folger MS V.a.87, f. 11v
 
Ruines branded slaves:
By Antonio, in Antonio and Mellida (4.1.123), John Marston
in Folger MS V.a.87, f. 11v
 
shees the glory of
her sexe the musicke of nature · the unequald
lustre of unmatcht excellencie the united
sweete of heavens, graces the most adored
beauty, that ever strucke amazement in the
world:
By Antonio, in Antonio and Mellida (4.1.171-176), John Marston
in Folger MS V.a.87, f. 11v
 
Tis an error easier to be pardoned by the
auditors, then excused by the authors.
By Page, in Antonio and Mellida (4.1.224-226), John Marston
in Folger MS V.a.87, f. 11v
 
Let choyse delight garland the brow of this
triumphant night.
By Piero Sforza, Duke of Venice, in Antonio and Mellida (5.2.2-3), John Marston
in Folger MS V.a.87, f. 11v
 
A mayde is like a faire ruled singing booke
with this word perfect if it were pricked
By Balurdo, in Antonio and Mellida (5.2.107), John Marston
in Folger MS V.a.87, f. 11v
 
In our may of blood,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.1.23), John Marston
in Folger MS V.a.87, f. 11v
 
calme this storme,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.1.49), John Marston
in Folger MS V.a.87, f. 11v
 
Banish stragling feare. keepe league with
comfort
By Lucio, in Antonio and Mellida (1.2.21-22), John Marston
in Folger MS V.a.87, f. 11v
 
Thou canst not form hyperboles of her
The trophee of triumphing excellencie the
heart of beauty: natures pride loves vitall spirit.
By Antonio, in Antonio and Mellida (1.2.189-193), John Marston
in Folger MS V.a.87, f. 11v
 
Who gives these illbefitting attributes of
chast, unspotted, bright, = = = hee lyes as
loude as thunder
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.2.200-202), John Marston
in Folger MS V.a.87, f. 11v
 
An:
dog I will make thee
eate thy vomit up which thou hast belcht
against taintles = = =
By Antonio, in Antonio and Mellida (1.2.189-193), John Marston
in Folger MS V.a.87, f. 11v
 
Pigmy cares can shelter under patience sheild
but great greefes burst all covert,
By Antonio, in Antonio and Mellida (2.2.4-6), John Marston
in Folger MS V.a.87, f. 12r
 
Thou beatst my eares with intimacons Mellida is
light,
By Antonio, in Antonio and Mellida (2.2.21-23), John Marston
in Folger MS V.a.87, f. 12r
 
Incredulity it selfe would not be so brass
hearted as suspect so modest cheekes
By Antonio, in Antonio and Mellida (2.2.34-36), John Marston
in Folger MS V.a.87, f. 12r
 
Throngs of thoughts crowd for their passage
By Antonio, in Antonio and Mellida (2.2.109-110), John Marston
in Folger MS V.a.87, f. 12r
 
My heart is great of thoughts
By Antonio, in Antonio and Mellida (2.2.120), John Marston
in Folger MS V.a.87, f. 12r
 
good night good heart
By Mellida, in Antonio and Mellida (2.2.124-125), John Marston
in Folger MS V.a.87, f. 12r
 
Good evening to the = = = most happy fortune, sweet
succeeding time rich hope = = = =
By Antonio, in Antonio and Mellida (2.2.156-158), John Marston
in Folger MS V.a.87, f. 12r
 
Ha deare, my other soule, my life, hast steeled
the edge of thy resolution, wilt not turn edge
into execution:
By Piero Sforza, Duke of Venice, in Antonio and Mellida (2.2.177), John Marston
in Folger MS V.a.87, f. 12r
 
Patience hoope any sides,
By Antonio, in Antonio and Mellida (4.1.67), John Marston
in Folger MS V.a.87, f. 12r
 
Intreate mee not: there’s not a beauty lives: hath
that impartiall predominance ore my affects as
your enchanting graces, yet give mee leave to be
my selfe,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (4.1.71-74), John Marston
in Folger MS V.a.87, f. 12r
 
just
By Piero Sforza, Duke of Venice, in Antonio and Mellida (4.1.75), John Marston
in Folger MS V.a.87, f. 12r
 
Pl: Marston. Iohnson
Antonio & Mellida. 1 part. Marston
Affectacō
Greedily Champing what any other well valued iudgmt had chewed
By Alberto, in Antonio and Mellida (Induction 37-39), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
A flatterer "
A supple-chapt flatterer
By Pandulpho Feliche, in Antonio and Mellida (Induction 50-3.2.72), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
An eye
A smart speaking ey.
By Pandulpho Feliche, in Antonio and Mellida (3.2.84), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Keele yro mouth it runs ouer.
By Balurdo, in Antonio and Mellida (5.1.21), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
"
Eloquence begins to grope him alredy.
By Balurdo, in Antonio and Mellida (5.2.40-41), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
plainēs Lust
The Clapper of his mouth is not glibd wth court oyle twil not strike on both sydes yet.
By Pandulpho Feliche, in Antonio and Mellida (2.1.117-118), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v