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Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Antonio and Mellida - Results found: 40

Rattling thunderclap break from his lips
By Pandulpho Feliche, in Antonio and Mellida (Induction.87), John Marston
in Folger MS V.a.87, f. 10r
 
deign to veil our wants with sleek acceptance
By Prologue, in Antonio and Mellida (Induction.20-21), John Marston
in Folger MS V.a.87, f. 10r
 
Piero's triumph beat the air:
By Antonio, in Antonio and Mellida (1.1.30), John Marston
in Folger MS V.a.87, f. 10r
 
He is made like a tilting-staff, and looks like an o'er-roasted pig & A great tobacco taker too, that's flat; for his eyes look
as if the had been hung in smoke of his nose
By Rossaline, in Antonio and Mellida (1.1.123-127), John Marston
in Folger MS V.a.87, f. 10r
 
How her eyes dart wonder on my heart:
By Antonio, in Antonio and Mellida (1.1.161), John Marston
in Folger MS V.a.87, f. 10r
 
Lady, your strange habit doth beget our pregnant thoughts, even great of much desire to be
acquaint with your condition,
By Mellida, in Antonio and Mellida (1.1.164-171), John Marston
in Folger MS V.a.87, f. 10r
 
Reply:
sweet creature we'll not veil
our names, it pleased the font to dip mee Rossaline
That lady bears the name
By Rossaline, in Antonio and Mellida (1.1.174-176), John Marston
in Folger MS V.a.87, f. 10r
 
Answer:
Reply:
Madam I am obliged to
kiss your hand, by imposition of a now dead man
By Antonio, in Antonio and Mellida (1.1.178-181), John Marston
in Folger MS V.a.87, f. 10r
 
My fathers palace, madam will be proud to entertain
your presence. if you'll deign to make repose
within:
By Mellida, in Antonio and Mellida (1.1.248-249), John Marston
in Folger MS V.a.87, f. 10r
 
vouchsafe me your service by the purity of bounty I shall
be proud of such bondage:
By Castilio Balthazar, in Antonio and Mellida (2.1.68-69), John Marston
in Folger MS V.a.87, f. 10r
 
The night grows old and downy sleep courts
us to entertain his company:
By Piero Sforza, Duke of Venice, in Antonio and Mellida (2.1.250-251), John Marston
in Folger MS V.a.87, f. 10r
 
A strong conceit itis rich so most men deem If not to be tis comfort yet to seem:
By Lucio, in Antonio and Mellida (4.1.44-45), John Marston
in Folger MS V.a.87, f. 11v
 
Ruin's branded slaves:
By Antonio, in Antonio and Mellida (4.1.123), John Marston
in Folger MS V.a.87, f. 11v
 
Then hast thou seen the glory of
her sex the music of nature · the unequaled
luster of unmatched excellence the united
sweet of heavens, graces the most adored
beauty, that ever struck amazement in the
world:
By Antonio, in Antonio and Mellida (4.1.171-176), John Marston
in Folger MS V.a.87, f. 11v
 
Tis an error easier to be pardoned by the
auditors, than excused by the authors.
By Page, in Antonio and Mellida (4.1.224-226), John Marston
in Folger MS V.a.87, f. 11v
 
Let choice delight garland the brow of this
triumphant night.
By Piero Sforza, Duke of Venice, in Antonio and Mellida (5.2.2-3), John Marston
in Folger MS V.a.87, f. 11v
 
'tis a fair ruled singing book
the word perfect if it were pricked
By Balurdo, in Antonio and Mellida (5.2.107), John Marston
in Folger MS V.a.87, f. 11v
 
In our may of blood,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.1.23), John Marston
in Folger MS V.a.87, f. 11v
 
calm this storm,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.1.49), John Marston
in Folger MS V.a.87, f. 11v
 
Banish straggling fear; keep league with
comfort
By Lucio, in Antonio and Mellida (1.2.21-22), John Marston
in Folger MS V.a.87, f. 11v
 
Thou canst not form hyperboles
The trophy of triumphing excellence the
heart of beauty: Mellida, appears. See, look, the curtain stirs: shine, natures pride loves vital spirit.
By Antonio, in Antonio and Mellida (1.2.189-193), John Marston
in Folger MS V.a.87, f. 11v
 
Who gives these ill-befitting attributes of
chaste, unspotted, bright, to Mellida? he lies as
loud as thunder
By Piero Sforza, Duke of Venice, in Antonio and Mellida (1.2.200-202), John Marston
in Folger MS V.a.87, f. 11v
 
Answer:
dog I will make thee
eat thy vomit up which thou hast belk't
against taintless Mellida
By Antonio, in Antonio and Mellida (1.2.189-193), John Marston
in Folger MS V.a.87, f. 11v
 
Pigmy cares can shelter under patience shield
but giant griefs burst all covert,
By Antonio, in Antonio and Mellida (2.2.4-6), John Marston
in Folger MS V.a.87, f. 12r
 
Thou dost bust, And beat my ears with intimations that Mellida, that Mellida is
light,
By Antonio, in Antonio and Mellida (2.2.21-23), John Marston
in Folger MS V.a.87, f. 12r
 
Incredulity itself would not be so brass
hearted as suspect so modest cheeks
By Antonio, in Antonio and Mellida (2.2.34-36), John Marston
in Folger MS V.a.87, f. 12r
 
Throngs of thoughts crowd for their passage
By Antonio, in Antonio and Mellida (2.2.109-110), John Marston
in Folger MS V.a.87, f. 12r
 
My heart is great of thoughts
By Antonio, in Antonio and Mellida (2.2.120), John Marston
in Folger MS V.a.87, f. 12r
 
good night good heart
By Mellida, in Antonio and Mellida (2.2.124-125), John Marston
in Folger MS V.a.87, f. 12r
 
Good evening to the fair Antonio most happy fortune, sweet
succeeding time rich hope
By Antonio, in Antonio and Mellida (2.2.156-158), John Marston
in Folger MS V.a.87, f. 12r
 
Ha Strotzo, my other soul, my life, hast thou steel'd
the point of thy resolve, will't not turn edge
into execution:
By Piero Sforza, Duke of Venice, in Antonio and Mellida (2.2.177), John Marston
in Folger MS V.a.87, f. 12r
 
Patience hoope any sides,
By Antonio, in Antonio and Mellida (4.1.67), John Marston
in Folger MS V.a.87, f. 12r
 
Entreat me not: there’s not a beauty lives: hath
that impartial predominance o'er my affects as
your enchanting graces, yet give me leave to be
myself,
By Piero Sforza, Duke of Venice, in Antonio and Mellida (4.1.71-74), John Marston
in Folger MS V.a.87, f. 12r
 
just
By Piero Sforza, Duke of Venice, in Antonio and Mellida (4.1.75), John Marston
in Folger MS V.a.87, f. 12r
 
Plays. Marston. Jonson.
Antonio and Mellida. first part. Marston
Affectation
Greedily Champing what any other well-valued judgment had beforehand chew'd.
By Alberto, in Antonio and Mellida (Induction 37-39), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
A flatterer "
a supple-chapp'd flatterer.
By Pandulpho Feliche, in Antonio and Mellida (Induction 50-3.2.72), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
An eye
A smart-speaking eye
By Pandulpho Feliche, in Antonio and Mellida (3.2.84), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
keel your mouth it runs over
By Balurdo, in Antonio and Mellida (5.1.21), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
"
I feel honorable eloquence begin to grope me already.
By Balurdo, in Antonio and Mellida (5.2.40-41), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
plainness Lust
My lord, the clapper of my mouth's not glibb'd With court oil; 'twill not strike on both sides yet.
By Pandulpho Feliche, in Antonio and Mellida (2.1.117-118), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v