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Plays

⊕    A Christian turned Turk
⊕    A Game at Chess: A Later Form
⊕    A Mad World, My Masters
⊕    A Maidenhead Well Lost
⊕    A Midsummer Night's Dream
⊕    A Yorkshire Tragedy
⊕    Aglaura
⊕    Albumazar: A Comedy
⊕    All Fools
⊕    All's Well that Ends Well
⊕    Antonio and Mellida
⊕    Antonio's Revenge
⊕    Antony and Cleopatra
⊕    As You Like It
⊕    Bartholomew Fair
⊕    Bird in a Cage
⊕    Brennoralt
⊕    Bussy d'Ambois
⊕    Caesar and Pompey
⊕    Campaspe
⊕    Catiline
⊕    Cleopatra
⊕    Comus
⊕    Contention for Honour and Riches
⊕    Coriolanus
⊕    Cymbeline
⊕    Cynthia's Revels
⊕    Dutch Courtesan
⊕    Epicoene
⊕    Every Man in his Humour
⊕    Every Man out of his Humour
⊕    Hamlet
⊕    Henry IV, part 1
⊕    Henry IV, part 2
⊕    Henry V (Q1)
⊕    Henry VI, part 1
⊕    Henry VI, part 2
⊕    Henry VI, part 3
⊕    Henry VIII
⊕    Hyde Park
⊕    Hymen's Triumph
⊕    Jack Drum's Entertainment
⊕    Julius Caesar
⊕    King John
⊕    King Lear
⊕    Locrine
⊕    Love In its Ecstasy: Or, the large Prerogative
⊕    Love Tricks, or The School of Compliments
⊕    Love's Labour's Lost
⊕    Loves Metamorphosis
⊕    Macbeth
⊕    Measure for Measure
⊕    Merry Wives of Windsor
⊕    Much Ado About Nothing
⊕    Mustapha
⊕    not in source
⊕    Othello
⊕    Pericles
⊕    Philaster
⊕    Philotas
⊕    Poetaster
⊕    Richard II
⊕    Richard III
⊕    Romeo and Juliet
⊕    Satiro-mastix: or, The Untrussing of the humorous poet
⊕    Sejanus His Fall
⊕    Sir Giles Goosecap
⊕    Sophonisba
⊕    Taming of the Shrew
⊕    The Atheist's Tragedy
⊕    The Blind Beggar of Alexandria
⊕    The Bondman
⊕    The Case is Altered
⊕    The Changes, or Love in a Maze
⊕    The Comedy of Errors
⊕    The Conspiracy and Tragedy of Byron
⊕    The Custom of the Country
⊕    The Devil's Law Case
⊕    The Elder Brother
⊕    The Fancies, Chaste and Noble
⊕    The Fawn
⊕    The Goblins
⊕    The Golden Age
⊕    The Grateful Servant
⊕    The Great Duke of Florence
⊕    The Gypsies Metamorphosed
⊕    The Honest Whore, Part I
⊕    The Insatiate Countess
⊕    The Lady of May
⊕    The Little French Lawyer
⊕    The Mad Lover
⊕    The Maid of Honour
⊕    The Malcontent
⊕    The Martyred Souldier
⊕    The Merchant of Venice
⊕    The Miseries of Inforc't Marriage
⊕    The Nice Valour
⊕    The Phoenix
⊕    The Puritan Widow
⊕    The Raging Turk
⊕    The Rival Friends
⊕    The Royal Master
⊕    The Royal Slave
⊕    The Sophy
⊕    The Spanish Curate
⊕    The Staple of News
⊕    The Tempest
⊕    The Tragedy of Nero
⊕    The Traitor
⊕    The Valiant Scot
⊕    The Virgin Widow
⊕    The Wedding
⊕    The White Devil
⊕    The Widow
⊕    The Wonder of a Kingdom
⊕    Timon of Athens
⊕    Titus Andronicus
⊕    Troilus and Cressida
⊕    Twelfth Night
⊕    Two Gentlemen of Verona
⊕    Volpone
⊕    What You Will
⊕    Winter's Tale

Antonio's Revenge - Results found: 22

Oh that our power could lackey or keepe
wing with our desires:
By Prologue, in Antonio's Revenge (Prologue.27-28), John Marston
in Folger MS V.a.87, f. 11v
 
when our sceanes
falter or invention halts: your favour will
lend crutches to our fauts
By Prologue, in Antonio's Revenge (Prologue.32-33), John Marston
in Folger MS V.a.87, f. 11v
 
heares a prop that
doth support our hopes:
By Prologue, in Antonio's Revenge (Prologue.31), John Marston
in Folger MS V.a.87, f. 11v
 
Submisse intreates becomes my humble fates Fortunes guilt is quite rubd of from my sle-ghtingfoyld state.
By Maria, in Antonio's Revenge (1.2.4-6), John Marston
in Folger MS V.a.87, f. 11v
 
glib rumors growne a
parasite.
By Maria, in Antonio's Revenge (1.2.17), John Marston
in Folger MS V.a.87, f. 11v
 
An:
What age is morning of
By Maria, in Antonio's Revenge (1.2.29), John Marston
in Folger MS V.a.87, f. 11v
 
Felicity compleat should sweet thy state Were I as powerful as the voyce of fate
By Maria, in Antonio's Revenge (1.2.163-164), John Marston
in Folger MS V.a.87, f. 11v
 
2 part of A:M.
partiality
yro ffauor will giue crutches to or ffaults.
By Prologue, in Antonio's Revenge (Prologue 33), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
hony me wth fluēt speech.
By Piero Sforza, Duke of Venice, in Antonio's Revenge (1.1.84), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Painting
ffayrer then natures faire ys foulest vyce.
By Maria, in Antonio's Revenge (1.2.55), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Clingd in sensuality.
By Piero Sforza, Duke of Venice, in Antonio's Revenge (1.2.230), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Ignoranc
He yt speaks he knows not what neur sins against his own conscience
By Piero Sforza, Duke of Venice, in Antonio's Revenge (2.1.37-38), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
The least soyle of lust smeeres pure loue.
By Mellida, in Antonio's Revenge (2.2.80), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
"
Trongs of thoughts crowd for passages.
By Antonio, in Antonio's Revenge (2.2.109-110), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Lyfen it. exist.
By Piero Sforza, Duke of Venice, in Antonio's Revenge (2.2.192), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Resolucō
Steele ye point of thy resolue yt it turn not edg in execucō
By Piero Sforza, Duke of Venice, in Antonio's Revenge (2.2.178-179), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
"
I affect wth vnbounded zeale.
By Antonio, in Antonio's Revenge (3.2.9), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
An old man will seru for picking meat.
By unidentified, in Antonio's Revenge (unknown), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
Patienc "
Patience hoop my sydes wth seeled ribbs least I do burst my brests wth
By Antonio, in Antonio's Revenge (4.1.67-69), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
vnapparell yro Dear beauties. bl.
By Piero Sforza, Duke of Venice, in Antonio's Revenge (5.3.9-10), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
statists "
States men yt cleaue thorough knotts of Craggie pollicies. vse men lyke wedges one to stryke out an other till &c.
By Piero Sforza, Duke of Venice, in Antonio's Revenge (4.1.194-198), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v
 
flattery
A Burre that sticks vppon mapp of greatnes.
By Alberto, in Antonio's Revenge (4.1.245-246), John Marston
in Bodleian Library MS English poetry d. 3, f. 41v